Backstage Pass

Backstage Pass

Reasons to Record Analog

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Lenise is a groundbreaker. She has worked as a recording engineer working on many iconic records including “Aja” by Steely Dan, “Breakfast in America” by Supertramp and “Tusk” by Fleetwood Mac. She was also the first woman to receive a platinum album for engineering on Blondie’s AutoAmerican. Since then Lenise has moved into post-production audio, beginning with creating the foreign music and effects tracks for the entire Disney cartoon catalog, and eventually specializing in recording and editing Foley. She has worked on several films and animated series, such as “Robo Cop,” “Street Sharks,” and “Extreme Ghostbusters.” She has traveled the world for Dreamworks supervising and producing the foreign dialogue and vocals for “Shrek,” “Spirit: Stallion of the Cimarron” and “Shrek 2”. This rekindled her love of recording music, and she is now engineering and producing up and coming musicians as well as seasoned artists. Currently, one of her projects, a blues/rock band called the Primal Kings, is all-analog, recording and mixing to tape and cutting vinyl.


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About this podcast

Newcomer or upcoming artist? You've been writing songs? Been busking on the streets? Spent hours in a band practice room? It's time to push your music career to the next level. Join Hannah and meet producers, label managers, independent artists, booking agents, radio hosts and festival organizers to discuss the secrets of the music scene: Are record deals really cool and how do I become famous?

by Hannah Trigwell & Thomann Music

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